
By Alice McVeigh

(Harriet, which should have been entitled Jane and Harriet, as several editorial reviews have observed, is a sideways view of Austen’s immortal Emma, told from the points of view of the fascinating Jane Fairfax and of a young Harriet Smith clever enough to pretend to be foolish.
Here’s an excerpt:
I had thought about Emma Woodhouse’s situation: lauded and admired, with her beauty, her cleverness, her £30,000 and her independence. Her aged father believed her all perfection, she enjoyed all the freedom that time and money could procure, and – though she could have visited London, Bath or Tunbridge – she prefer to be the Pride of Highbury, instead. To any thoughtful person, this suggested that Emma Woodhouse loved best to direct and to dominate – while the recent departure of her beloved friend, Mrs Weston, had reduced her to all the doubtful stimulation of her aged father’s company.
In short, I believed there was a vacancy – not for another governess, but for someone youthful and doe-eyed, submissive and easily led, to give the young mistress of Hartfield an object as well as to restore her previous freedom of movement. And though supremely unqualified for the post – in that I was not in fact doe-eyed, submissive or easily led – I had faith in my powers, that I could appear so.
I was aware that I would have to dissemble a good deal, in order to appear humble, grateful, and submissive, and in no way threatening to Miss Woodhouse’s perfect superiority. I must never sketch – for I have a modest talent in that regard – and must not display my taste in music, the better to show off her own musical prowess – the praising of which gave even Mrs Goddard, at times, minor qualms of conscience. Above all, Miss Woodhouse must never guess that I hoped to use her as a means of escape. For escape I must – else Highbury must be the death of me!
And here’s a bit of Jane Fairfax’s narrative voice, having just met Frank Churchill on a holiday on the coast…
The next morning, I woke early – such an entrancing light! – hastily dressed, and daringly slipped down to the sea. The sun was bubbling on the waves and a little fishing boat being drawn in to shore, just where the pebbles gave way to frills of surf. There was a fresh, clean wind, and I stood for some time, just watching and listening and enjoying the air.
When I heard the crunch of footsteps, I turned – and saw Mr Churchill. He said gravely, ‘Two minds with but a single thought, Miss Fairfax. A perambulation before breakfast is, of all things, my greatest weakness… May I join you?’ Of course, I accepted, though I felt rather nervous. Though it had seemed to me, the previous evening, that both he and his friend Crawford possessed confidence enough to make up for any lack elsewhere.
‘The air is sublime,’ he murmured.
‘The sea looks all softness here, perhaps a little rougher farther out.’
‘Rough? Do you call that rough? Someday, Miss Fairfax, I will revel in far wilder seas than those before us – with luck, as far as Italy.’
‘Does Mrs Churchill travel, then?’ I asked, a little surprised, for I had always understood that his guardian was a perpetual invalid.
‘No, my aunt will never be enticed beyond Richmond, and I am yet to go abroad…To say he truth, it was a whim on my friend’s part, that has carried me even as far as Weymouth. Do the Campbells sea-bathe often, then?’
‘No, I have only once seen the sea before, some years ago… I love the sea. It is endlessly fascinating, endlessly in motion and – even when there was a storm at Brighton – endlessly beautiful.’
I cannot explain my unusual communicativeness – perhaps a reaction to the exhilaration of the morning and the sea air and the light on the water. Although it was perfectly true, for all that. Mr Churchill turned to smile at me, the wind tousling his hair, and brightening his complexion.
ISBN: 978-1916882331
Publication: February 2022
Publisher: Warleigh Hall Press
Editions: Paperback, ebook.
Harriet is an intriguing and original “take” on Jane Austen’s immortal Emma, by Publishers Weekly‘s 2021 BookLife Prize Quarterfinalist, Alice McVeigh.
Emma, a privileged young heiress, decides to mentor Harriet Smith, a pretty boarding-school pupil, and to matchmake her as eligibly as she can… But how is she to guess that Harriet has a secret?
Meanwhile, the brilliant, penniless Jane Fairfax consents to a clandestine engagement with Frank Churchill – though not daring to confess, even to him, that she is being relentlessly pursued by her best friend’s husband.
Harriet sidelines Emma herself in favour of the ingenious Harriet and the fascinating Jane Fairfax. It is Emma – but an Emma with a surprisingly believable twist in its tail.
“A reimagining of Austen’s Emma offers a fresh, engaging take on the world of Highbury. McVeigh reimagines Austen’s naïve and somewhat insipid Harriet as a perceptive young woman who sees an opportunity to better her station by attaching herself to Emma Woodhouse. Offering plenty of wry insight, sparkling chatter, and domestic intrigue, McVeigh also paints a fuller, more complete picture of the talented but fragile Jane Fairfax. Harriet, though, is the character who shines brightest in this reimagining. In Austen’s original, Harriet is almost thoughtless and willing to do anything to please Emma, but here she is a character of great depth. McVeigh is on point with both the writing style, language, and consistency in Austen’s characters, making this a treat for anyone who loves the original stories.”
– Starred Editors Pick in Publishers Weekly
“An immersive, high stakes, heartfelt take on the classic – and a fantastic tribute to Austen’s Emma. Alice McVeigh’s Harriet is a comedy of manners about friendship and love, both feigned and true…The prose mimics that of Jane Austen, with Regency-era language. The end result is an immersive, high stakes, and heartfelt take on the classic.”
– (Foreword Indies’ Clarion editorial review)
“Though there have certainly been other attempts to imitate Austen’s storytelling, none have been so masterfully executed as McVeigh’s. This is still Austen’s Emma—but the story that unfolds through the recollections of these two “side” characters feels remarkably fresh… Readers will rarely find the words ‘page-turner’ and ‘Jane Austen’ in the same sentence, but McVeigh’s impeccably written Harriet certainly fits the bill.”
– IndieReader editorial review
“Harriet Smith boldly catapults herself into the delicate world of high society in yet another masterfully penned homage by Alice McVeigh. Swirling rumors, sardonic asides and complex romantic geometry make for a saucy read, but there are profound commentaries laced within the prose… McVeigh delivers a remarkably engaging tale of love, loss, and learning from one’s mistakes, skilfully capturing the essence of Austen’s world, but adding fresh dimensions.”
– SPR featured editorial review
“Harriet reimagines Jane Austen’s Emma through the eyes of two characters, Harriet Smith and Jane Fairfax. McVeigh brings new depth to the original, while in tone and language she successfully recreates Jane Austen’s world. It is a pleasure to revisit this familiar story though a different lens… Harriet is an enjoyable and intelligent reimagining of a well-loved story.”
– Editorial review, BlueInk Reviews
Click here to read about the Warleigh Hall Press Jane Austen series.
WINNER: Bronze medal (European Fiction) IPPY award (Independent Publishers Book Awards, 2023)
Starred Editor’s Pick (“outstanding”) on Publishers Weekly
HONORABLE MENTION Foreword Indies’ “Book of the Year” award
Gold Medal 2023 Historical Fiction Company, finalist for their “Book of the Year”
FINALIST in Chanticleer’s CIBA Chatelaine Award
Winner: Gold Medal (historical) Global Book Awards, 2022
Selected: as one of “100 notable Indies of 2022” by Shelf Unbound Magazine
Finalist: International Book Awards (historical fiction)
Honoree: IndieBRAG medallion, 2022
Finalist: American Fiction Awards, 2022 (historical fiction)
#1 Bestseller in several categories on Amazon.com
Silver Award, Literary Titan
Indie Reader-Approved
First place winner, Chanticleer International Book Award BOOK SERIES (historical, 2023)
Silver medal, Global Book Awards 2024 (Book series, fiction)











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